Blog
From Masquerades to Motherhood: Poet and Interdisciplinary Artist Natasha Marin
Seattle based poet and interdisciplinary artist Natasha Marin sat down with TPR Director Tia Kramer to discuss how Trinidadian masquerades, Canadian friendliness, and motherhood influences her work.
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Exploring the parallels between the scientific method and divination with Artist Sierra Nelson.
Performance Artist and Poet Sierra Nelson invites us into a conversation questioning the roles divination, science, and artistic practice play in our understanding of the past and choices for the future. She’ll be joined by her longtime collaborator Rachel Kessler to bookend the conversation with some live experiments.
Photography by Rebecca Hoogs
Photograph by Rebecca Hoogs
Poet, performer, and text-based artist Sierra Nelson (co-founder of The Typing Explosion and Vis-à-Vis Society) is author of lyrical choose-your-own-adventure I Take Back the Sponge Cake (Rose Metal) made with visual artist Loren Erdrich and chapbook “In Case of Loss” (Toadlily Press). Earning her MFA in Poetry from U.W. (2002), she is a MacDowell Colony Fellow and Carolyn Kizer Prize winner, and she teaches in Seattle, Friday Harbor, and Rome, Italy.
On the divination side, she has written poems inspired by the patterns in tarot, created an interactive poetry installation inspired by Nordic runes using Icelandic lava stones ("Runasafn: Rune Library"), and most recently she has written a new interactive manuscript of poems, "I Change," inspired by the 8 elements in the ancient Chinese divination system the I Ching (a.k.a. The Book of Changes).
On the science side, she has written scientifically-vetted poems about fish in collaboration with ichthyologist Adam Summers' "Cleared" photographs of stained fish skeletons, both of which debuted at the Seattle Aquarium; she teaches and works with scientists at U.W.'s Friday Harbor Labs in the San Juan Islands; and science is a core inspiration for her performance and installation work as the Vis-à-Vis Society collaborating with Rachel Kessler under their poet-scientist personas, Dr. Ink and Dr. Owning.
Photograph by Rebecca Hoogs
Rachel Kessler (co-founder of The Typing Explosion and Vis-à-Vis Society) is a poet and essayist who works with comics, video, installation, and performance art. Her work has appeared in Open Daybook, Narrative Magazine, Poetry Northwest, The Stranger, The Frye Art Museum and elsewhere. She works as a teaching artist with Writers in the Schools, Path with Art, Richard Hugo House, and Centrum.
Sierra and Rachel have been collaborating for over 17 years.
Musician/performer/comedian Ahamefule J. Oluo’s Now I’m Fine is a genre-spanning pop opera of “darkly funny personal stories about illness, despair, and regeneration.” Stemming from a period in his life in which everything seemed to be falling apart, Oluo’s Now I’m Fine is a creative exploration of how we navigate moments of hopelessness. Join us for a conversation with Oluo about this work, and how it dovetails with The Project Room’s current topic of Transformation.
About the Presenter:
Ahamefule J. Oluo is a composer, comedian, and trumpet player. Oluo was the first Artist-in-Residence at Town Hall in Seattle. A longtime writing partner of comedian Hari Kondabolu, he has performed nationally with bands including Das Racist and Hey Marseilles, and is a fixture in the local and national comedy scenes. His garage-jazz quartet Industrial Revelation won the 2014 Stranger Genius Award. Oluo lives and works in Seattle.
Photograph by Bruce Tom
